This is the final products from our music video.
DIGIPAK (FRONT, INSIDE, BACK)
This is the final products from our music video.
DIGIPAK (FRONT, INSIDE, BACK)
This is the blog that shows the screen test that we did for our music video project and Panji did the recording for the audition screen test.
As for the screen test on the audience, we took our friends to audition for the screen test and try to replicate the artist (Leon Thomas) to see which could be a perfect substitute incase the main artist couldn't be in the video due to problems such as sick or other issues.
This is the editing blog made by Alex
(I couldn't upload it too youtube since it uses a copyrighted song and it exceeds bloggers video upload limit)
https://drive.google.com/file/d/1zGw6gOLg_oswzE7cq1Kjvt7bmxcj_XVG/view?usp=sharing
(Feedback)
For this first edit of the music video we were really struggling on how to implement our ideas from the storyboard into the music video because of our limited resources, and the ending arrest scene was awkward and comparing it to later versions this was definitely the worst
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https://drive.google.com/file/d/1zirU_k-DoOXT1XOvSUyUcIIyzX3UFCmf/view?usp=drive_link
(feedback)
For this second edit we didn't really implement Mr Nicks feedback since we kind of remade the whole music video from scratch, this time I used a LOG filter on some of the recorded footage to make it easier to color grade them in premiere pro later.
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https://drive.google.com/file/d/12WMKf44Q9KzZJKDueRX7kPcNZivKHSrW/view?usp=sharing
(feedback)This third edit I finally implemented Mr Nicks feedback into the video as I implemented all of them, and overall the feedback I got for all the drafts of our video was vital in improving them. But for one feedback the show the text messages for longer was kind of tricky because I needed to freeze frame since panji puts his phone way right after the message is sent.
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This forth edit I again implemented all of Mr Nicks feedback with lining up the lip-syncing, changing panjis name to fit continuity in the end credits which in my opinion the end credits of the music video is really cool I loved how it turned out, and I implemented more performance clips with the dinner table scene
Reflection : Alex did all of the editing, while I gave a bit of feedback to make the video on how we vision'ed it together. The blog had many details on how he did certain effects, this made it more clear and understandable on why aswell. The teacher feedback also helped us with some of the errors we had in the editing, especially with the continuity errors, we had many and we had no more time as we procrastinated during the semester break and we recorded during the school weeks which made it stressful for everyone in the team. However, we got through it and recorded everything in one day which resulted into those continuity errors.
This is the social media research made by my teammates Panji and Maha.
This is the Digipak that includes the research of album covers and the development of our album cover for our music video.
Tyler, The Creator doesn't have a logo but instead he uses his visuals to make people recognize him easily through the technical elements he uses such as the bold colors, artistic visuals, nature visuals, or alter egos. This is consistent across Tyler's album covers such as 'IGOR' and 'CALL ME IF YOU GET LOST' which the artist is the brand rather than a logo.
This album cover influenced us by showing that it could encourage audiences to see vulnerability or emotions as strength and it makes the album cover look more intimate and reflective which could make the viewer think what would be the theme of the whole album cover before even hearing the album itself. This cover also challenges the usual masculinity in R&B + hip-hop genres by showing conventions that subvert the usual such as casual clothing and vibrant colors. Although, it is not likely that we are going to use these types of technical elements in our album cover as we have may not have the right equipment and skills to do so and we are trying to aim for a darker digipak.
The meaning created between all these technical elements put onto this album cover is that the low lighting makes the album cover a moody tone. Also, the lack of costume showing except the top of her clothes and only dark sunglasses makes the image feel raw and authentic. This would make the viewers more likely to trust the artist's emotions and this would make the viewers feel connected towards the artist.
The imagery can reflect the star's persona as Summer Walker's hand trying to block the camera shows her as emotionally vulnerable or more introverted and this challenges when celebrities are usually confident trying to show themselves off which this presents her as being ordinary as viewers may relate to her as they don't want to be filmed in private.
Summer Walker doesn't have a logo but she rather keeps focusing on the album cover visuals to make viewers recognize that it is her as she consistently shows herself through most of the album covers such as 'Finally Over it' and 'Finally Over it (The Afterparty)'. This creates a sense of familiarity for the viewers which makes fans feel like it is a whole emotional narrative going on.
This album cover influenced us by preparing the audience for themes of heartbreak, isolation or boundaries through the visuals. This makes the viewers positioned where they are someone who understands pain rather than simply consuming entertainment through the artist's music. Another influence would be that the viewer positioning looks like their in the album cover and the artist's performance looks like their interacting with the viewer.
- Close-up shot : This cover uses a closeup shot of Drake's face angled slightly to the side also showing his gaze is directed away from the camera avoiding direct eye contact with the viewers. This creates intimacy making the viewers feel close to Drake's emotional state while the side gaze suggests introspection.
The meaning being created through all these technical elements is that the grainy texture gives that realism feeling, the high contrast lighting highlights his facial expressions which would clearly show that he is serious towards the album. This could be added more by the black and white colors in the album which means seriousness or nostalgia. These technical elements make the album feel more mature and this encourages the viewers to interpret the music seriously rather than for listening.
Drake is shown as thoughtful and emotional in the album cover and not flashy with jewelries and luxury items, he looks like an ordinary person which connects to the Dyer's theory as he is also a normal human being and not a celebrity only which is ordinary where viewers could relate to his emotions as they may feel that they understand Drake better making them feel more connected to him and his music.
Drake doesn't have or use a logo for his album covers, but uses his signature makes it recognizable for viewers to know that it is his album cover. This signature makes the album feel personal as if Drake is sharing his story or music directly with the viewers which this style is consistently used in other Drake albums and media.
This is the brand & persona poster that is made by our teammate Maha and Panji.
This is the classwork that we were tasked to do and it is about Dyer's theory about Theory Of Stardom.
This is the final products from our music video. DIGIPAK (FRONT, INSIDE, BACK) SOCIAL MEDIA (GRID VIEW) FINAL VIDEO https://drive.google...