This is the Statement of Intent for our film opening!
Genre | |
Horror | |
Target Audience | |
Demographic | Females and males, age 15 - 25, located in urban areas where they can easily access the cinema and other digital devices. |
Psychographic | Teenagers that enjoy horror movies with some slashing action and a mysterious but creepy kidnapper/etc. |
How we will appeal to this target audience | |
The whole set, props and costumes were mostly monotoned using black, grey and white as one of their main colour schemes with low key lighting setting the tone for the overall movie and is something audiences are expecting. There will also be red in a form of fake blood when the killer finally strikes and kills something which is what horror movie goers would like to see. We can use diegetic sounds like a screams and non diegetic discordant sounds of which slowly becomes louder the closer the main character is to the figure which builds the suspense of the overall opening. | |
Main inspirations | |
Hush, Texas Chain Massacre 2022, Paranormal Activity: Next of Kin, The Night | |
General Synopsis | |
A detective comes home from a long workday, only to be met by his old nemesis, an escaped serial killer he just put in jail earlier that day. His nemesis brought along members of his gang to finish off the detective once and for all. | |
Characters | |
The detective, serial killer and his gang | |
Representations | |
(How will people, places, groups be portrayed in the film opening?) | |
Dominant Reading | |
Always go home early, never go out at night alone. | |
Proposed Roles | |
Script | Max ð |
Storyboard | Shannon ð |
Location Scout | Maxine ð |
Risk Assessment | Bams ðĢ |
Screen Test | Max ðē ðĪŠ |
Filming schedule | Bameswara ðĄ |
Audience research | Shannon ð |
Behind-the-scenes | Kenneth ðŪ |
Editing | Kenneth ð |
Reflection : We divided the different tasks to multiple members to maximize our efficiency in doing our work so, it would be completed quicker. I hope we can make creative ideas for our project in the future.
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